Poetry lyrics


The term “poetry lyrics” refers to the highly melodic verse that expresses strong emotions. A poet may employ rhyme, meter, or other literally methods to create a sound-like quality.

Rather than telling a plot, lyric poetry allows a single speaker to convey his or her own emotions. Lyric poetry is divided into three categories by some scholars: Lyric of Vision, Lyric of Thought, and Lyric of Emotion. This classification, however, is not universally accepted.

Types of poetry lyrics:

There are three main categories of poetry lyrics:

Narrative: Poetry that narrates stories is known as narrative poetry. The narrator’s and characters’ voices are frequently created, and the entire story is usually written in metered verse. Rhyme isn’t required in narrative poems. The poems in this genre might be brief or long, and the story they are based on can be complicated. It is usually dramatic, with a variety of objectives and meters. Epics, ballads, idylls, and lays are examples of narrative poems.

Dramatic: A play composed in verse is known as dramatic poetry. Dramatic poetry, also known as dramatic verse or verse drama, is a written work that narrates a tale while simultaneously evoking emotions or action in the reader. It is a type of narrative that is strongly tied to acting and is frequently performed physically. It can be spoken or sung.

Lyrics: is a broad term that refers to a variety of shapes and approaches. One of the three major types of poetry is lyric poetry. Dramatic and narrative are the other two. There are several types of lyric poetry, including sonnets, ballads, odes, and more. There is no set format for lyric poetry. Lyric poems include sonnets, villanelles, rondeau, and pantoum. Elegies, odes and most ceremonial (or occasional) poems are all examples of this. Lyric poetry creates musicality using literary strategies such as alliteration, assonance, and anaphora when written in free verse.

Origins of Lyric Poetry

Lyric poetry is frequently used as the starting point for song lyrics. Lyric poetry was mixed with music performed on a U-shaped stringed instrument called a lyre in ancient Greece. Great lyric poets like Sappho (ca. 610–570 B.C.) expressed their feelings of love and desire via poetry and song. In different parts of the world, similar methods to poetry have been established. Between the fourth and third centuries B.C., Hebrew poets wrote intimate and lyrical psalms between the first and second centuries A.D., which were chanted at ancient Jewish worship sessions and recorded in the Hebrew Bible. Japanese poets used haiku and other genres to communicate their thoughts and emotions around the seventh century. LiPo (710–762), a Taoist poet, became one of China’s most famous poets by writing about his personal life.

Lyric poetry marked a departure from epic narratives about heroes and gods in Western culture. Lyric poetry’s intimate tone appealed to a wide audience. European poets were influenced by ancient Greece, but they also absorbed ideas from the Middle East, Egypt, and Asia.

Classifying Lyric Poems

Poets are always inventing new ways to express thoughts and ideas, which is changing our perception of the lyric mode. Is a lyric a found poem? What about a concrete poem composed of skillfully arranged words on the page? Some scholars divide lyric poetry into three categories to solve these questions: Lyric of Vision, Lyric of Thought, and Lyric of Emotion.

The Lyric of Vision category includes visual poetry such as May Swenson’s pattern poem “Women.” Swenson created a zigzag pattern with lines and spaces to evoke the notion of women swinging and swaying to men’s whims. Colors, odd font, and 3D shapes have all been used by other Lyric of Vision poets.

Although didactic poems and intellectual poetry such as satire may not appear to be particularly melodic or intimate, they might be included in the Lyric of Thought group. Consider the scathing epistles of 18th-century British poet Alexander Pope for instances of this kind.

Lyric of Emotion is the third kind, and it refers to works that are typically associated with lyric poetry as a whole: mystical, sensuous, and emotional. Scholars, on the other hand, have long challenged these designations. Any poem that isn’t a narrative or a stage drama is sometimes referred to as a “lyric poem.”

Poetry lyrics example

Edmund Waller’s poem “Go, Lovely Rose” is a well-known example of lyrical love poetry in which the author addresses the rose he is sending to his love.

Features of lyric poetry,

There are several features of Poetry lyrics:

Iambic meter:

An iamb is a two-syllable “foot” in poetry, with the second syllable stressed. Iambic pentameter is a meter in which each line includes five iambs. It is by far the most prevalent lyric form in English lyric poetry. Consider the rhythm to be a heartbeat: da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, da-D


A disbranch is a meter that consists of two unstressed syllables. Pyric meter, which arises when the rhythm of a line comprises two short syllables followed by longer, emphasized syllables, is not enough to produce a full poem on its own. It’s written as “da-dum.” The designation of a Pyrrhic meter is not agreed upon by all poets. For example, Edgar Allen Poe denied the existence of the Pyrrhic meter, stating, “The pyrrhic is correctly discarded.” Its reality, whether in ancient or present-day, is entirely chimerical…” The poet Alfred Lord Tennyson, on the other hand, regularly used a Pyrrhic meter.

Anapestic meter:

Two short, unstressed syllables are followed by one long, stressed syllable in an anapest: da-da-DUM. Examples abound throughout history because this arrangement lends itself to musical verse with a rolling lilt. Shakespeare began to use anapests in iambic pentameter in his later works, deviating from the traditional pattern of five iambs and occasionally introducing an extra syllable. The anapestic meter can also be found in nineteenth- and twentieth-century lyric poetry, as well as in comedic poetry.

Dactylic meter:

DUM-da-da is a dactyl, which consists of a long, stressed syllable followed by two short, unstressed syllables. It’s the polar opposite of an anapest. The dactylic meter is demonstrated in the opening two lines of Robert Browning’s poem “The Lost Leader.”

Spondee meter:

Two long, stressed syllables make up a spondee or spondaic foot. To provide variety to lyric poetry, a spondaic meter might be interwoven with other types of verse.

Modern lyrics are reimagined as one-of-a-kind statements.


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